Sarah Seltzer, RH Reality Check. November 28, 2008. Pop culture vampires have always reflected cultural anxieties about sex. "Twilight", the new teen box office blockbuster, is no exception.
Matt Budd, Huffington Post. November 26, 2008. Harvey Milk inspired hundreds of thousands of people in his lifetime. The new film "Milk" will let him reach millions more.
Rosie White, American Sexuality Magazine. November 21, 2008. Female spies have been the subject of cultural fascination since Mata Hari, but the realities they face are quite different from fiction.
Stephane Dunn, Ms. Magazine. November 15, 2008. The women in Blaxploitation pics didn't accept victimization and often fought for causes larger than themselves. Imagine what they would do today.
Eileen Jones, eXiled Online. October 22, 2008. You can practically feel Oilver Stone sitting behind you, breathing on the back of your neck and willing you to see the brilliance of his vision.
Isaac Fitzgerald, AlterNet. October 16, 2008. A new documentary by Stefan Forbes shows the origins of the GOP's playbook -- the manual of scare tactics on which McCain's campaign is based.
Mark Engler, AlterNet. September 29, 2008. The 1999 protests against the WTO were dramatic enough to inspire a new feature film, but did they actually make a difference?
Tara Lohan, AlterNet. September 27, 2008. The Sundance hit "FLOW: For Love of Water" is taking the country by storm and waking people up to our water crisis.
Greta Parry, PopMatters. September 25, 2008. Though 1980s beach films seem objectifying and antifeminist, they offer a utopian space where class and gender hierarchies begin to dissolve.
Wajahat Ali, Huffington Post. August 29, 2008. "Traitor" tries to combine blockbuster plot mechanics with important, philosophical musings about our complex post 9-11 world: it fails.
Jennifer Merin, The Women's Media Center. August 27, 2008. The lack of female voices in film criticism is a manifestation of an industry that favors male-oriented movies and audiences.
Annabelle Gurwitch, AlterNet. August 15, 2008. We can't let art turn into syrupy, sanctimonious after-school specials just to avoid being labeled as offensive.
Amol Rajan, Arifa Akbar, Independent UK. August 15, 2008. The film will be based on The Challenge, by journalist Jonathan Mahler, which portrays the fight for a fair trial for Osama bin Laden's driver.
Caroline Heldman, Ms. Magazine. August 14, 2008. This sort of self-objectification impairs women's body image, mental health, motor skills and even sex lives.
Jessica Mosby, The Wip. August 11, 2008. If you're willing to shell out the cash to see I.O.U.S.A., you'll be surprised at how enjoyable a film about America's economy can be.
Arianna Huffington, Huffington Post. August 7, 2008. "Swing Vote" offers a cynical and entirely apt commentary on the sad reality of real-life politics.
David Sirota, Creators Syndicate. August 1, 2008. Many filmic treatments of Washington present a more hard-edged political reality than most of today's so-called journalism.
Melissa Silverstein, Huffington Post. July 31, 2008. Katherine Heigl regularly speaks up about sexism in Hollywood. For that, she is labeled ungrateful and her career has been declared dead.
Marjorie Rosen, Women's eNews. July 21, 2008. A bountiful crop of summer movies starring women is outshining the usual male-driven action flicks. Let's hope studio heads get the message.
Joshua Holland, AlterNet. July 12, 2008. Cusack's anti-war polemic, War, Inc., continues to defy expectations, despite the traditional media's dismissive reception.
Roya Rastegar, ColorLines. July 9, 2008. Two new indie features blend science-fiction and political critique.
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About
Aside from being the most popular art form of all time, movies can also be a powerful tool for social change. This content file seeks to celebrate both the joy and power of the silver screen.
While we'll give weight to socially conscious and underrepresented movie-makers we acknowledge the significant cultural trends evident in even the most wispy Hollywood fare. And, yes, there will be the occasional review.